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John Turturro Has Waited 40 Years for an Oscar Nomination. ‘The Only Living Pickpocket in New York’ Makes the Case
Forty years into a career that has made him one of American cinema’s most recognizable character actors, John Turturro has a Cannes best actor prize, an enviable résumé and exactly zero Oscar mornings when his name was read aloud with the words “and the nominees are.” Sony Pictures Classics is determined to end the dro

‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy

Macklemore Calls Out ‘Free Palestine’ Onstage, Spurring Petition Demanding He Leave Ed Sheeran Tour

‘Agata the Writer’ Review: Mia Wasikowska Plays an Author Adrift and Short of Ideas, in a Sly, Witty Film With Plenty

Podcaster Amanda Hirsch Apologizes for ‘Insensitive, Wrong’ Polymarket Lindsay Clancy Sponsored Content: ‘I Should Have Known Better’

‘Possible Love’ Cast Sobs as Lee Chang-dong’s Epic Embraced at Venice With 6-Minute Standing Ovation

‘The Echo Chamber’ Review: Luca Marinelli, Alicia Vikander and Susan Sarandon Reverberate Through a Smoky, Somber Single-Location Love Story
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Box Office: ‘Spider-Man: Brand New Day’ Remains No. 1 in Sixth Weekend, Nears ‘Avengers: Endgame’ All-Time Domestic Record

At Telluride Film Festival, Bill Gates Compares a Lack of Human Control Over AI to HAL in ‘2001’: ‘You Could Say “Please Shut Down,” and It Would Say, “OK, I Took That Under Advisement, But…”‘

Luc Besson Calls Madonna a ‘Phenomenon,’ Admits He’s Developing Another ‘Crazy’ Sci-Fi Story: ‘You Will Need a Ticket — And an Aspirin’

‘Possible Love’ Review: Korean Master Lee Chang-dong Returns With a Beautifully Mature, Quietly Colossal Relationship Drama

50 Cent’s Diddy Documentary Wins Emmy After Controversial Netflix Run

‘September 5’ Director Tim Fehlbaum Working on a ‘Historical Film’ Set in Berlin as Swiss Filmmakers Take on Challenges and Opportunities of Shooting in English

Susan Sarandon Says She’s ‘Still Had Movies Taken Away Recently’ Over Palestine Support: ‘There Are Agencies That Are Telling People Not to Hire Me’

‘Woman Unknown’ Director May el-Toukhy Talks the Torment of World War II ‘Horizontal Collaborators’ and Venice’s Female Director Snub: ‘It’s a Structural Problem’

‘From Inside Out – The Architecture of Peter Zumthor’ Review: Wim Wenders’ Latest 3D Documentary Is an Architectural Marvel

Wim Wenders Clarifies His Stance on Filmmakers’ Role in Politics After Berlin Controversy: ‘We Are the Opposite of Politicians … We Are the Antidote’

French President Emmanuel Macron Calls for a ‘New Multilateralism’ Across Creative Industries: ‘We Built a Civilization of Images. We Should Not Resign Ourselves to Watching It Deteriorate’

Are Russian Filmmakers Finally Coming in From the Cold?

Groundbreaking Roma Director Alina Șerban on ‘Pain,’ ‘Joy,’ of Historic, Venice-Bound ‘I Matter’: ‘I Managed to Do Something Impossible’

Moonfish’ Director and Stars Lucy Liu and Morgan Spector Break Down Their Black-and-White Animated Film About Isolated Astronauts And Why It’s an Allegory for ‘The Current Human Condition’

Dev Benegal’s Judith Blum Reddy Doc ‘Everything Is Not OK’ Acquired by Watermelon Pictures, Annemarie Jacir Aboard as EP (EXCLUSIVE)

San Sebastian, Busan-Bound Taiwanese Coming-of-Age Drama ‘Will You Still Be My Friend’ Boarded for Sales by Moveria, Trailer Unveiled (EXCLUSIVE)
