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Maggie Gyllenhaal Says She Tried Using AI to Turn Dakota Johnson Into Marilyn Monroe for Short ‘Flesh Impact’ — Then Scrapped It: ‘Fundamentally Did Not Work’
Venice jury president Maggie Gyllenhaal revealed that she experimented with artificial intelligence to transform Dakota Johnson into Marilyn Monroe for her short film “Flesh Impact” which plays on the Lido. But she ended up scrapping it because she felt that it stripped Johnson’s performance of the very humanity that m
Bendita Film Sales Snags Norma Vila’s Sitges Competition Title ‘Carapace’ (EXCLUSIVE)
‘My Undesirable Friends: Part II – Exile’ Review: An Enormous, Riveting Documentary Sequel Following Reporters on the Run
Manisha Koirala Attached to Star in ‘Cowgirls & Indians,’ Set for November Texas Shoot (EXCLUSIVE)
Magdalena Koleśnik and Kay Greidanus to Lead Finn Szumlas’ Debut Feature ‘Stairway to Earth’ as Production Starts (EXCLUSIVE)
Tamar AI’s TapNow Brings AI-Native Filmmaking to Venice Production Bridge With HappyHorse-Backed 10,000 Parallel Universes Films, Unveils Streamer Glanze
Anna Foglietta on Working With Alba Rohrwacher on Venice Drama ‘A Common Story’ ‘You Have to Have the Guts to Show Yourself Exactly as You Are’ — Trailer (EXCLUSIVE)
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Miike Takashi Shines an Intimate Spotlight on a Kabuki Legend in Debut Documentary ‘Shumei: The Living Legacy of Kabuki’
Ekta Kapoor, Gunjan Soni Unpack Balaji’s Five-Show, 200-Episode YouTube India Deal (EXCLUSIVE)
AR Content, Vertigo, Blumhouse Atomic Monster Set Remake of Genre-Bending, Satirical French Horror ‘Vincent Must Die’ (EXCLUSIVE)
In Venice Competition Film ‘Mr Nelson, Did You Kill People?’ Director Tsukamoto Shinya Asks Vital Questions
Berlin Golden Bear Winner Lila Avilés Wraps Production on ‘Cábula,’ Releases First Look Ahead of Venice Gap-Financing Market (EXCLUSIVE)
‘The Truffle Hunters’ Directors Michael Dweck and Gregory Kershaw Look for the Perfect Wine in ‘Burgundy’: ‘A Great Glass of Wine Changes How You Perceive the World’
Oasis Documentary Directors on Filming the Brothers’ First Reunion in 15 Years and Why There Wasn’t Much Emotion in the Room: ‘It’s the Gallaghers, It’s Not ‘Dawson’s Creek”
Édgar Ramírez and Nahuel Pérez Biscayart to Star in ‘Land of the Savages’ by Venice-Winning ‘Blanquita’ Director Fernando Guzzoni
‘Everest: The Other Side’ Directors Elizabeth Chai Vasarhelyi and Jimmy Chin Talk Grief, Loss and Their Most Personal Film Yet: ‘You Don’t Get to Choose Your Calling’
Rodrigo Moreno and Santiago Mitre AD Felipe Solari Yrigoyen Set to Make Directorial Debut With ‘The Amateurs’
‘Jupiter’ Director Alexandre Smia on Making a Nuclear Thriller That Suddenly Feels Terrifyingly Real: ‘We’ve Entered the Third Nuclear Age’
‘Dogs’ Director Bogdan Mirică to Take a Stab at Creator Economy With Biting Comedy ‘Magnum Opus’: ‘We’ve Taken It Too Far’
‘Pamfir’ Helmer Dmytro Sukholytkyy-Sobchuk Realized His Kyiv Apartment ‘Could Be Bombed Any Day,’ So He Remortgaged It to Fund ‘Something Strange Happened to Me’
